I played at a block party this past weekend with some friends. The drummer that we played with lives on the block with his wife and kids. A couple of days before he mentions that there was an older guy on the block who collected vintage guitars and amps, and that he might bring out some goodies. I've never really played any vintage stuff except at stores, so I was jazzed.
Sure enough, this guy comes out first with a custom shop relic strat and his original blackface deluxe reverb. We play a couple of tunes, he plays my CIJ custom for one of them. He then says something to the effect of "you like telecasters, do you?"
He then goes inside and comes out with what he represents to me is a '55 tele. It's whitish-blonde (no yellow) almost translucent, white guard, beat up and chipped in all the right ways. SO pretty, SO badass. The neck was HUGE, biggest neck I've ever played. A lot of the finish seemed gone from the back of the neck, really good feel.
He just hands it to me and tells me to have fun. I must have played the thing for an hour, just a really nice guitar.
Here's the thing that struck me about it. The Neck Pickup. I am not much of a neck pickup guy, never have been. Most of 'em sound like they have a blanket over them to me. The neck position on this guitar sounded ALIVE, clear crisp, biting, like no neck pup I have ever heard.
What might they have done to those pickups then that we don't do now? How -- how, my friends, can I get a neck pickup to sound this good?
PICTURES -- I have a few really crappy shots taken by a friend who may have had a couple too many beers, which I will post tonight. For reference, the tele looked like this, except way more beat up.