Teese Picture Wah
MJM Blues Devil
Fulltone FD2
Xotic FX RC Booster
Teese Picture Wah
MJM Blues Devil
Fulltone FD2
Xotic FX RC Booster
Right now just Strat (or LP, Tele, SSG) into a Deluxe 90. Studio results of that set-up are here:
http://eyesfromtheashes.net/download.aspx
One song has heavy delay on a solo - I had left by the time they were mixing. But it's a spacy song so it's cool, I guess. It just won't be there for the gigs.
I just listened to the first two songs dez, sounds good!
Uhm, for me it's currently a mix of the following:
1) Main set up:
Strat > Vox wah > FDII > Boss DD3 > ZVez SHO > Boss Tuner > D.R.R.I.
I'm thinking about putting the SHO in front of the FD2, just to see how it reacts.
2)
Strat > Vox wah > MXR Auto "Q" > FDII > Boss DD3 > ZVez SHO > Boss Tuner > D.R.R.I.
3)
Strat > Vox wah > MXR Auto "Q" > FDII > Boss DD3 > > Lehe A/B >
A) ZVez SHO > D.R.R.I.
B) > Boss Tuner > Mesa Boogie Studio 22+
I don't have any sound file of this current set up, but here is a similar set up with a Hot Rod DeVille instead of the DRRI:
Red River Soul
It was listening to these tracks that inspired me to get the DRRI....
Fuzz is proof God love us and wants us to be happy. - Franklin
http://www.frankdenigris.com
That depends on what I'm playing:
Bass? Boss CS3
Acoustic guitar? CS3>Boss PH3>Bespeco Volume pedal>Digitech Digidelay
Electric? CS3>Danowah>PH3>volume pedal>Digidelay...
electric guitar>boss NS-2>korgDT-10>crybaby>MRX>BD-2>grunge(for the youngster)>peavy30amp.
At the moment I am doing some thinkering again ... I play these two at the moment.
Budda Wah
Way Huge Saffron Squeeze
Way Huge Ghreen Rhino
Baby Blue OD
Dyna Red Dist
Prescription Yardbox
Fulltone Choral/Flange
Boss DM2
Way Huge AquaPuss
Klon Centaur
The other ones goes like this.
Wah (((Won't mention brand - but it is a boo-teek one)))
Toadworks Mr. Ed
Way Huge Red Llama
Way Huge Green Rhino
Ibanez TS-9 (original from the 80's)
Menatone Kar Krash
Menatone Howie
Boss CE-2
Maxon AD-900
Maxon AD-900
Guitar -> Boss TU-2 Tuner -> Boss CE-2 Chorus -> Fulltone Fulldrive 2 -> Barber Tone Press -> Boss DD-5 Delay -> Fulltone Clyde Deluxe Wah -> '66 Super Reverb
The only effects I leave on all the time are the drive channel on the Fulldrive 2 and the Delay. I use the Fulldrive Boost channel for extra distortion, and the Tone Press is for lead volume and sustain. Chorus and Wah as needed.
Knowledge is the small part of ignorance that we arrange and classify. -- Ambrose Bierce
Mike,
You'll have less noise with the chorus after the OD and other gain boxes, as they will amplify the noise of the chorus. Also, the delays will be more distinct (if you should want that) if the delay comes before the chorus. And are you really getting the best response and sweep from the wah with it last in the chain? If so, cool, but that's an odd placement.
Everyone sings about Memphis, but no one ever does anything about it.
Dwell, you are absolutely right. I forgot that I moved the chorus after the delay in the chain. I've tried the wah as the first pedal after the tuner, but I like the sound better at the end of the chain.
Knowledge is the small part of ignorance that we arrange and classify. -- Ambrose Bierce