Re: Charting The Fretboard
It's a little faded because it was made back in '77 or '78 but I've had this on my wall above my headboard nearly every place I ever lived. Why limit yourself to just 5 frets? You want to learn the fretboard, learn the whole thing, it really isn't that much and it repeats. That's the beauty of it.
Be creative. Use various media. The muscle memory of writing it all out and the work to make it legible can do wonders for getting it in your brain. Carve it out of soap. use rhinestones on a striped beach towel. engrave it in scrimshaw. paint it on the side of a barn or garage. :D
https://imgur.com/nyIyCB1.jpg
Re: Charting The Fretboard
I caused MANY guitar teachers to quit over the years...
Hell, I think Mel Bay requested people burn his books after he heard me.
That diagram looks like a good tattoo to get. I'm thinkin' 'goin full facial' on this one!
Re: Charting The Fretboard
Quote:
Originally Posted by
renderit
I caused MANY guitar teachers to quit over the years...
Hell, I think Mel Bay requested people burn his books after he heard me.
That diagram looks like a good tattoo to get. I'm thinkin' 'goin full facial' on this one!
LOL!
Re: Charting The Fretboard
OS, there isn't as much work there as you may believe, and you can sort of do it without a lot of memorization.
First, pretty much anybody who can play simple barre chords already knows the notes on the E and A strings since they are the root notes of the two most common chord forms. So, that's three strings you know already.
For the D and G strings you can rely on the fact that 2+2 ( two strings plus 2 frets) up gives you an octave, so since you know the E and A strings you k\now know the D and G. That's 5 strings already with no work involved.
Finally, once you know the three note major chords on the G, B and high E strings (D chord form) you realise that the B string is the root of that chord.
So there you have it, all the notes on the fretboard are instantly recognizable with little to no work.
Chuck
Re: Charting The Fretboard
Quote:
Originally Posted by
Offshore Angler
OS, there isn't as much work there as you may believe, and you can sort of do it without a lot of memorization.
First, pretty much anybody who can play simple barre chords already knows the notes on the E and A strings since they are the root notes of the two most common chord forms. So, that's three strings you know already.
For the D and G strings you can rely on the fact that 2+2 ( two strings plus 2 frets) up gives you an octave, so since you know the E and A strings you know know the D and G. That's 5 strings already with no work involved.
Finally, once you know the three note major chords on the G, B and high E strings (D chord form) you realise that the B string is the root of that chord.
So there you have it, all the notes on the fretboard are instantly recognizable with little to no work.
Chuck
I'm actually familiar with this concept. I know that the three basic open chord shapes (E, A and D) form the basis of pretty much every movable shape on the fretboard. I know that in each, the root of the chord is the middle string. From there, it's just a matter of remembering that the V and III notes sit on each side of the root. So, basically, what I have to learn is the notes on the 2-3-4 strings, and from there I can work out the relative notes to the root.
Re: Charting The Fretboard
OS, try learning the E and A strings inside and out. Again easy since at the 5th fret you should already know the notes A an D fall under your fingers from the E and A barre chord forms. Think of these as roots for major scales. There will be 4 silly-easy major scales under you fingers at each fret, as will be the pentatonic scale, the blues scale and the be-bop scale and others.
Armed with these learn the relative minors and you're off to the races. There will be very little popular music that you can't play doing the above.
Players don't compose hard stuff on purpose. If the part requires you to make nasty stretches or impossible grips chances are you're in the wrong position. If it doesn't feel natural when you play it that's a huge sign that you need to make an adjustment.
Hopefully what this will show is how applied theory greatly simplifies the act of playing guitar and makes it a lot more fun and easier.
Re: Charting The Fretboard
I know the fretboard fairly well, but I still have to think about certain notes on the D (4th string), G (3rd string), and B (2nd string) strings. That annoys me. So tonight I was noodling around and discovered a little exercise that really started cementing those missing notes into my recall. This is what I did.
1. Start with the D string. Find the note C for that that string (10th fret). Using that C note as your starting point, start playing melodies in the key of C (all natural notes--no sharps or flats) only on that D string. Go in whatever direction you want. Always start and end your melodies on C. You will be playing melodies in the major scale.
2. Start with the D string again, but this time find the note A (the relative minor of C, same natural notes) on the 7th fret. This is your new melody start point. Always begin and end your single string melodies on A. You will be playing melodies in the minor scale.
3. Focus on finding those natural notes along the string.
4. Rinse and repeat this exercise on whatever strings you need to brush up your fretboard knowledge on.
Re: Charting The Fretboard
Quote:
Originally Posted by
Offshore Angler
OS, try learning the E and A strings inside and out. Again easy since at the 5th fret you should already know the notes A an D fall under your fingers from the E and A barre chord forms. Think of these as roots for major scales. There will be 4 silly-easy major scales under you fingers at each fret, as will be the pentatonic scale, the blues scale and the be-bop scale and others.
Armed with these learn the relative minors and you're off to the races. There will be very little popular music that you can't play doing the above.
Players don't compose hard stuff on purpose. If the part requires you to make nasty stretches or impossible grips chances are you're in the wrong position. If it doesn't feel natural when you play it that's a huge sign that you need to make an adjustment.
Hopefully what this will show is how applied theory greatly simplifies the act of playing guitar and makes it a lot more fun and easier.
I probably should have read the whole thread first. Well, it looks like great minds think alike. :appl: