Okay...y'all bit if you're reading this. Tee hee!
Regardless...
I've heard so much about the DRRI on this board, I thought I'd ask y'all what makes the DRRI so good.
Is it because it's a true-to-original DR? Is it a new, improved DR sound? Is it just a good, solid modern Fender amp? Is the Deluxe, Twin, and Super Reverb all the same amp but with different power and speaker combinations? Feel free to enlighten me.
I'm curious because I'm wondering if everyone out there shopping between the two would be happy with a PTP AB763 circuit sans vibrato? A while back I drew up a hybrid circuit layout for a HR chassis that encompassed the HRDlx power amp with the AB763 preamp. Now, I haven't had it proofed to see if I got it right, but I thought it was a nifty idea. Definitely something I'm going to pursue when I finish my 5E5A (got to always have one working amp before beginning a new project, right?)
So, if it's done right, could a HRD/AB763 mutation be a comparable, if not equal, amp to the DRRI? For those out there with a dead, or available HRD, it seems that going BF is more in tune with the HR series rather than tweed to me. I'm hoping that the SS rectified power married to a classic BF circuit would make a lot of folks happy.
I say this, because so many of the jazz guys here (U of North Texas) get a HR amp because it's tube and really good clean. However, knowing the history of the manufacturing, it wouldn't be out of the question to have a nice PTP idea to aid in replacing/improving the amp so that it can be reborn and be just as usable to this market as the original version, but with the dependability of a PTP build.
Forgive the naivete, but I love brainstorming. What do y'all think?