Results 1 to 8 of 8

Thread: Babicz Design Full Contact Bridge

  1. #1
    Forum Member
    Join Date
    Aug 2007
    Posts
    5,201

    Babicz Design Full Contact Bridge

    This looks pretty interesting:


    http://profile.myspace.com/index.cfm?fuseaction=user.viewProfile&friendID=451 455034


    Apparently it was introduced at the latest NAMM; there was a little blurb about it in Guitar Player. The idea behind it is that, with most Strat-style bridges, the saddle only makes contact with the bridge plate where the two height-adjustment screws hold it up. The Babicz bridge's saddles have a kind of internal cam for adjusting string height and make full contact with the bridge plate, so you get more contact surface and more sustain.

    I don't know that these bridges solve a big problem everyone was looking to solve, but the theory behind them seems sound. So to speak. And they look kinda badass, too.

  2. #2
    Forum Member NeoFauve's Avatar
    Join Date
    Sep 2003
    Location
    in interesting times
    Posts
    12,530

    Re: Babicz Design Full Contact Bridge

    Quote Originally Posted by elicross View Post
    The Babicz bridge's saddles have a kind of internal cam for adjusting string height and make full contact with the bridge plate, so you get more contact surface and more sustain.

    I don't know that these bridges solve a big problem everyone was looking to solve, but the theory behind them seems sound. So to speak. And they look kinda badass, too.
    I didn't watch all the videos, but in one annimation it appeared that at the lowest height, the string is in full contact down the back of the saddle. Then as it's raised, the back surface of the saddle falls away from the string.
    That seems like in a certain height range, it could be a possible source of sitar-ish zinginess.


    I was REALLY wanting a Gretsch a few years back.
    The one I was into had the "Rocking Bar" bridge.
    The bar is fat enough that the strings didn't make an immediate break away off the back side, and there was a bad zing from the G and the B.
    "Well, I used to be disgusted, now I try to be amused..."
    Elvis Costello

  3. #3
    Forum Member Fedora's Avatar
    Join Date
    Sep 2008
    Location
    Near Brainerd Minnesota
    Posts
    339

    Re: Babicz Design Full Contact Bridge

    As a person who absolutely loves anything that is well designed and precision machined, I'd give it two big thumbs up. I'd buy it if it was reasonably priced. It does look really nice. He seems like a pretty down to earth fellow as well.

  4. #4
    Forum Member NeoFauve's Avatar
    Join Date
    Sep 2003
    Location
    in interesting times
    Posts
    12,530

    Re: Babicz Design Full Contact Bridge

    The bass saddle demo is really well shot!

    I think he's being just a little optimistic, thinking it could "ultimately" become an OEM or replacement part.

    In a world where electric guitar design is essentially frozen in the mid-1950s, yet the major manufactures and guitar-wanters fully embrace the idea of upcharges for expertly (or robotically) dinged-up outer surfaces, I have a hard time imagining that happening.

    I really admire the idea though.
    Somebody's thinkin'!!

    I think the adjustable neck on his acoustic is a very neat idea.
    I wasn't so impressed with the fanned out string anchors though.
    "Well, I used to be disgusted, now I try to be amused..."
    Elvis Costello

  5. #5
    Forum Member Kap'n's Avatar
    Join Date
    Sep 2002
    Location
    Where phony hippies meet
    Posts
    19,769

    Re: Babicz Design Full Contact Bridge

    It's an interesting piece of equipment, but is it a solution to a problem that doesn't really exist?

    I mean, technology drives modern music to a fair amount. Like Floyd Rose tailpieces and flat fingerboards made hair metal possible. Or CD players and "recto" amps created the ability to to make downtuned Corn Biscuit music. But does this innovation push music in any direction?
    Several guitars in different colors
    Things to make them fuzzy
    Things to make them louder
    orange picks

  6. #6
    Forum Member Offshore Angler's Avatar
    Join Date
    Sep 2003
    Location
    New York Finger Lakes Area
    Posts
    8,467

    Re: Babicz Design Full Contact Bridge

    I looks elegant, but my concern would be palm muting. It looks like the strings come out of the front of the saddle, so it would be impossible to get a decent chunk going.
    "No harmonic knowledge, no sense of time, a ghastly tone, unskilled vibrato, and so on. Chuck is one of the worst guitar players I know" -Gravity Jim

  7. #7
    Forum Member curtisstetka's Avatar
    Join Date
    Mar 2003
    Location
    Boyertown PA
    Posts
    5,050

    Re: Babicz Design Full Contact Bridge

    I like hype. I'll buy it.
    s'all goof.

  8. #8
    Forum Member
    Join Date
    Aug 2007
    Posts
    5,201

    Re: Babicz Design Full Contact Bridge

    Quote Originally Posted by NeoFauve View Post
    I really admire the idea though.
    Somebody's thinkin'!!
    Yeah, that was my reaction. There's at least one new Strat-replacement bridge design every year, but this is the first one I've seen in years that made me think "That actually looks like it could work."

    The palm-muting thing OA raised could be an issue, though. I'd like to get my hands on one of these and see if that's actually a problem -- but I have a feeling it'll be a while before the average guitar shop has a demo Strat with a Babicz bridge.

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •